PST
Top Ten
A few of my favorite tips and techniques.
1. Painting
with Filters.
| Here's a sweet technique that allows you to paint with
filters or for that matter any other effect you can apply to an image in Photoshop. |
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First, duplicate the layer
by dragging it down to the Make Layer icon at the bottom of the Layers palette
or Command-J for the Mac, Control-J for the PC.
Then run the filter, color
adjust, whatever... on the duplicate layer.
Add a Layer Mask to the
duplicate layer by clicking on the Make Layer Mask icon at the bottom of the Layers
palette.
Fill the Layer Mask with
black from the Edit, Fill dialog or hit the D key for default colors and then
press Command-Delete for the Mac, or Control-Backspace for the PC. The effect
on the duplicate layer will disappear because black the Layer Mask hides imagery
on the associated layer.
Finally, activate the
Paintbrush and paint with white on the Layer Mask. White reveals imagery on the
"effect" layer. So now you are "painting" in the effect from
the duplicate layer.
For more subtle effects
lower the opacity on your paint brush. To remove the effect, paint with black.
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2. Stop That
Snap.
| Here is great little hidden one. Let's say you are
using a tool and the selection, crop, image element... snaps to a guide, gridpoint
or the document edge but you don't want it to. With this you can quickly toggle
snap off with a single key. |
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On both Mac and PC just
hold down the Control key to temporarily overcome the snap.
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3. Quick find
and activate a layer.
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If you work with layers
much you know how easy it is to lose track of which layer an element is on. This
technique helps you find and activate and element/layer by clicking on it.
First of all you can set
the Move Tool's options to Auto Select Layer which will make a click on an element
activate the layer. But I wouldn't advise it. Having your move tool set to auto
select means that as soon as you try to move an element Photoshop activates the
layer it thinks you want. This will drive you nuts if you work with transparency
for reasons listed below. Here is a better way that is also one of my favorite
navigation techniques.
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To click find a layer;
(Move's Auto Select off)
Activate the Move tool.
(V) on the keyboard.
For the Mac, hold down
the Control key and position the cursor over the element you want to target. Then
with the Control key still held down, click-hold the mouse button and a drop down
menu will appear with Photoshop's best guess listed at the top.
Now drag the cursor down
to activate the layer you want. Actually, the Mac has an advantage over the PC
here. You don't have to drag down to activate the first layer on the list. Just
let go of the mouse button. So this means a control click-hold, let go, activates
the layer. This is very fast and allows you activate layers without even having
the Layer's palette open.
For the PC, hold down
the Right Mouse Button and position the cursor over the element you want. Then
with the Right Mouse Button still held down, click-hold and the drop down menu
will appear. Now drag the cursor down to activate the layer you want.
How does it sense the
Layer?
The Drop Down menu will
list the layers under the cursor with an opacity of 50% and above, in stack order,
under the cursor position. Layers of 49% and below are not "sensed".
If you are working with layers of an opacity of 49% and below this technique will
miss them.
With an understanding
of how this technique senses layers it can become one of the most powerful navigation
tools in Photoshop.
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4. Delete multiple
layers at once.
| Another little known tip is how to delete multiple
layers at once. |
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Link the layers you want
to delete.
For Mac: Command-Option
click on the Layer palette's trash icon.
For Windows: Control-Alt
click on the Layer palette's trash icon.
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5. Edit multiple
Type layers at once.
| If you have ever wanted to change the font, size, color,
spacing... but wince at having to go back to each type layer and make the individual
edits? Try this. |
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Activate one of the type
layers and then link the other type layers you want to affect.
Now hold down the Shift
key and change the font, size, color, spacing, even text warping and it applies
to all the linked, type layers.
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6. Merge to
target.
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A composite image in Photoshop
is often made up of layers working together to create the visual composite you
see. But if you want work on the visual composite as a single layer you need to
Merge or Flatten the layers into one composite layer. The problem is that with
Merge or Flatten you lose the independent layers that made up the composite originally.
To keep the original layers
intact and produce a merged composite layer try this.
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Make a new layer in the
Layer stack. Make sure to leave this layer highlighted or "active".
This will serve as the target of the merge.
Click the view (eye icons)
on for all the layers you want to include in the merge.
Now for one of the longest
key combinations in Photoshop. For the Mac: Command/Option/Shift-E and for Windows:
Control/Alt/Shift-E.
This merges all the viewed
layers to the active layer and leaves your original layers intact. I think of
this as a target merge.
This is very handy for when you want to run a single layer operation, like a filter,
on the composite of a number of layers.
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7. Auto scale
Layer Effects/Styles.
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Now here is a hidden one.
If you are using Layer
Effects you may have noticed that they don't scale with the image when you do
an Image Size. But they can and here's how.
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In the Image Size dialog
box you can specify the goal size/resolution in a number of ways. The trick to
scale Layer Effects is to use the Resolution input to achieve your goal. For some
reason Layer Effects don't scale when you use the Pixel inputs or the Width/Height
inputs but if you use the Resolution input it works great.
Again, to do this you must use Image, Image Size. Near the bottom is the Resolution:
input.
For some reason, when
you resize an image with Layer Effects all of the other inputs will resize the
image but leave the Effects unscaled. But when you spec the resize using the Resolution:
input it scales the image and the Effects as well. This is an odd one but very
sweet when you have a layered file with Effects that you need to scale and have
the Effects come with.
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8. Copy merged.
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Normally when you copy
a selection, Photoshop copies data from the active layer only. But it can be very
handy to copy what you see as a merged capture. Here's how to copy merged.
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Hold down the Shift key
when you Edit, Copy or for the Mac, Command, Shift-C, for Windows, Control, Shift-C.
When you Paste the result
will be a capture of all the visible layers, merged, that were in your selection.
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9. Merge layer
set to a new layer.
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Layer Sets are a great
way to organize your layers but many times you will need to merge a set to work
on its component layers as a merged, single layer.
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To do this, activate a
layer set, go to the pop-out arrow in the upper right corner of the Layers palette,
and drag down to Merge Layer Set. This will replace the set with a merged composite
of the set's component layers.
But sometimes I want to
get a merged version of a set to work with and maintain the set with its component
layers intact.
To do this, follow the
same sequence above but hold down the Option (Mac) or Alt (PC) before you release
over Merge Layer Set. This will merge the set out into a new layer above the existing
set rather than replacing it.
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10. Quick soften
or harden a brush.
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Got a soft brush and want
to harden the edge fast?
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With a brush tool active...
Shift-] bumps it harder
in 25% increments, Shift-[ softens...
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